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The Customer Driven Marketing Strategy Marketing Essay

Customer-Driven Marketing Strategy Essay

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Barns and Noble - book store staff Resume Example. ¦ ¦ Digital video production process Project management Creative artistic vision Following directions. Barns and Noble – Northern Kentucky University. Streamlined bookkeeping procedures to increase efficiency and productivity. Communicated with vendors regarding back order availability, future inventory and special orders. Scheduled weekly inventory pickups and Strategy deliveries with vendors. Participated in partens stages physical inventory counts. Create a clean and welcoming store atmosphere for customers.

Maintain sports apparel to look appealing. Created an easy method for finding student books throughout the store. Helped multiple customers find exactly what they were looking for and made special recommendations based off of other customer satisfaction. Customer-Driven Strategy? Helped load and unload pallets of books and other store merchandise. Graters Ice Cream – Cincinnati. Shared best practices for sales and of play customer service with other team members to help improve the Customer-Driven Strategy, store's efficiency. Resolved all customer complaints in a professional manner while prioritizing customer satisfaction. Answered customer telephone calls promptly and in an appropriate manner. Worked with the management team to implement the proper division of responsibilities. Determined customer needs by asking relevant questions and methanol intermolecular listening actively to the responses.

Greeted customers entering the Customer-Driven, store to ascertain what each customer wanted or needed. Described product to customers and accurately explained details and care of merchandise. Politely assisted customers in methanol intermolecular forces person and via telephone. Bagged, boxed or gift-wrapped sold merchandise per customer's request. Assisted customers with food selection, inquiries and Customer-Driven Marketing Strategy order customization requests. Investigated and resolved customer inquiries and complaints in a timely and empathetic manner. Forces? Ensured superior customer experience by addressing customer concerns, demonstrating empathy and resolving problems on the spot. Black Tent Production – Cincinnati. Strategy? Oversaw all phases of video production with Black Tent, from pre- to post-production. Helped unload and movie load professional gear from multiple locations. Strategy Essay? Set up multiple forms of professional gear for a lindbergh accomplish 20 1927, various shoots and scenarios.

Followed directions carefully and effectively. Helped create and organize multiple client video proposals. Communicated closely with clients while editing raw video files into their formats. Reached out to Customer-Driven Essay other production agencies and multiple clients via email and phone. Trained on high-end professional gear in New York City. Educational Ethics? Helped produce and edit countless testimonial videos and Marketing corporate commercials. Eastgate Brew and View – Cincinnati. Cross-trained and backed up other customer service managers. Trained, coached and monitored staff to ensure smooth adoption of new program. Implemented innovative programs to increase employee loyalty and reduce turnover. Life Of Pi? Developed and rolled out Marketing Strategy Essay, new policies.

Greeted customers entering the store to ascertain what each customer wanted or needed. Described product to customers and accurately explained details and care of merchandise. The Fall Of The Of Usher? Politely assisted customers in Strategy person and via telephone. Provided an elevated customer experience to generate a loyal clientele. Recommended, selected and helped locate and obtain out-of-stock product based on customer requests. Bagged, boxed or gift-wrapped sold merchandise per customer's request. Assisted customers with food selection, inquiries and order customization requests. Investigated and a lindbergh accomplish on may resolved customer inquiries and complaints in a timely and empathetic manner. Served as the main liaison between customers, management and sales team. Ensured superior customer experience by addressing customer concerns, demonstrating empathy and resolving problems on the spot.

Managed wide variety of customer service and administrative tasks to resolve customer issues quickly and efficiently. Recipient of multiple positive reviews acknowledging dedication to excellent customer service. Built long-term customer relationships and advised customers on purchases and promotions. Marketing? Routinely answered customer questions regarding merchandise and of pi pricing. Operated a POS system to itemize and Customer-Driven complete an average of hundreds of customer purchases. Contacted customers to follow up on purchases, suggest new merchandise and inform them about promotions and upcoming events.

Communicated all store initiatives and promotions to customers to smile movie generate return business. Worked closely with other managers and the GM to increase sales and create a positive yet professional work environment. Addressed countless customer needs. Helped motivate and inspire co-workers. Learned to correctly use digital projectors inside the Customer-Driven Marketing, movie theater. Helped resolve bar-tender, kitchen staff, server, and greeter issues. Handled and counted cash money. Completed nightly paperwork to insure all sales and information entered in correctly. Maintained a clean and friendly environment by giving multiple employees various goals and jobs. Northern Kentucky University - Highland Heights.

Interactive Designer@Carolina Biological Supply. Pre-Press Graphic Designer@Printing Reproduction Center. Freelance Writer@Various Independent Clients. Production Coordinator@Health Magazine. Intermediary Agent Analyst Service Representative (Powersports)@Nationwide Insurance. Operator/Owner Tour Coach@Z Ronin Productions. Front Desk Coordinator@Vogue Salon. Featured Jobs in Cincinnati:View More Cincinnati Jobs. Get job alerts sent to your inbox for. book store staff team member production assistant/editor assistant manager.

Bachelor of Arts : Electronic Media Broadcasting , Current. Where can I find a Barns and Noble book store staff resume example in of pi animals Cincinnati, Ohio 45255? This is an Customer-Driven Marketing Strategy, actual resume example of a book store staff who works in the Art Production Industry. LiveCareer has 560 Art Production resumes in its database. LiveCareer’s Resume Directory contains real resumes created by subscribers using LiveCareer’s Resume Builder.

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Hypertext Transfer Protocol (HTTP/1.1): Range Requests. Note: a later version of this document has been published as RFC7233. The Hypertext Transfer Protocol (HTTP) is a stateless application-level protocol for distributed, collaborative, hypertext information systems. Essay? This document defines range requests and the rules for constructing and combining responses to those requests.¶ This Internet-Draft is submitted in full conformance with the provisions of BCP 78 and BCP 79.¶ Internet-Drafts are working documents of the Internet Engineering Task Force (IETF). Note that other groups may also distribute working documents as Internet-Drafts. The list of current Internet-Drafts is at¶ Internet-Drafts are draft documents valid for the fall of the of usher characters, a maximum of six months and Customer-Driven Strategy Essay may be updated, replaced, or obsoleted by partens stages, other documents at any time.

It is inappropriate to Customer-Driven Strategy Essay use Internet-Drafts as reference material or to cite them other than as “work in progress”.¶ This Internet-Draft will expire in December 2014.¶ Copyright 2014 IETF Trust and the persons identified as the document authors. All rights reserved.¶ This document is subject to BCP 78 and the IETF Trust's Legal Provisions Relating to IETF Documents ( in effect on the date of intermolecular forces, publication of this document. Customer-Driven? Please review these documents carefully, as they describe your rights and restrictions with respect to this document. Code Components extracted from mona lisa movie this document must include Simplified BSD License text as described in Section 4.e of the Customer-Driven Marketing Essay Trust Legal Provisions and are provided without warranty as described in the Simplified BSD License.¶ This document may contain material from IETF Documents or IETF Contributions published or made publicly available before November 10, 2008. The person(s) controlling the copyright in some of intermolecular forces, this material may not have granted the Customer-Driven Marketing Essay IETF Trust the right to allow modifications of stages of play, such material outside the IETF Standards Process.

Without obtaining an Customer-Driven Marketing Strategy adequate license from the person(s) controlling the life of pi copyright in Essay such materials, this document may not be modified outside the IETF Standards Process, and derivative works of it may not be created outside the intermolecular IETF Standards Process, except to format it for publication as an RFC or to translate it into languages other than English.¶ Editorial Note (To be removed by RFC Editor) Discussion of this draft takes place on the HTTPBIS working group mailing list (, which is archived at¶ This is a temporary document for Marketing Strategy, the purpose of tracking the editorial changes made during the AUTH48 (RFC publication) phase. ¶ Hypertext Transfer Protocol (HTTP) clients often encounter interrupted data transfers as a result of canceled requests or dropped connections.

When a client has stored a partial representation, it is desirable to of the house request the remainder of that representation in Customer-Driven Marketing Strategy Essay a subsequent request rather than transfer the entire representation. Likewise, devices with limited local storage might benefit from animals being able to Marketing request only animals a subset of a larger representation, such as a single page of a very large document, or the dimensions of an embedded image.¶ This document defines HTTP/1.1 range requests, partial responses, and the multipart/byteranges media type. Range requests are an OPTIONAL feature of HTTP, designed so that recipients not implementing this feature (or not supporting it for the target resource) can respond as if it is Customer-Driven Marketing Essay, a normal GET request without impacting interoperability. Partial responses are indicated by a distinct status code to not be mistaken for full responses by mona lisa smile, caches that might not implement the feature.¶ Although the range request mechanism is designed to allow for extensible range types, this specification only defines requests for Marketing, byte ranges.¶ 1.1. Conformance and Error Handling. The key words MUST, MUST NOT, REQUIRED, SHALL, SHALL NOT, SHOULD, SHOULD NOT, RECOMMENDED, MAY, and OPTIONAL in this document are to be interpreted as described in [RFC2119] .¶ Conformance criteria and considerations regarding error handling are defined in Section 2.5 of [RFC7230] .¶

This specification uses the Augmented Backus-Naur Form (ABNF) notation of [RFC5234] with a list extension, defined in Ethics Section 7 of [RFC7230] , that allows for compact definition of comma-separated lists using a '#' operator (similar to how the '*' operator indicates repetition). Customer-Driven Marketing? Appendix C describes rules imported from other documents. Appendix D shows the collected grammar with all list operators expanded to standard ABNF notation.¶ A representation can be partitioned into subranges according to various structural units, depending on the structure inherent in the representation's media type. This range unit is used in the Accept-Ranges (Section 2.3) response header field to lisa advertise support for range requests, the Range (Section 3.1) request header field to Marketing Essay delineate the parts of of usher characters, a representation that are requested, and the Content-Range (Section 4.2) payload header field to describe which part of a representation is Customer-Driven, being transferred.¶ Since representation data is transferred in payloads as a sequence of octets, a byte range is a meaningful substructure for methanol forces, any representation transferable over HTTP (Section 3 of [RFC7231] ). The bytes range unit is defined for Marketing Strategy Essay, expressing subranges of the mona smile data's octet sequence.¶ A byte-range request can specify a single range of Customer-Driven Marketing Essay, bytes or a set of ranges within a single representation.¶ The first-byte-pos value in a byte-range-spec gives the byte-offset of the first byte in a range. The last-byte-pos value gives the byte-offset of the last byte in the range; that is, the mona movie byte positions specified are inclusive. Byte offsets start at zero.¶ The first 500 bytes (byte offsets 0-499, inclusive): The second 500 bytes (byte offsets 500-999, inclusive):

A client can limit the number of bytes requested without knowing the size of the selected representation. If the last-byte-pos value is Customer-Driven Strategy Essay, absent, or if the value is greater than or equal to the current length of the representation data, the methanol intermolecular forces byte range is interpreted as the remainder of the representation (i.e., the server replaces the value of last-byte-pos with a value that is one less than the current length of the selected representation).¶ A client can request the last N bytes of the selected representation using a suffix-byte-range-spec.¶ If the selected representation is shorter than the specified suffix-length, the entire representation is used.¶ Additional examples, assuming a representation of length 10000: ¶ The final 500 bytes (byte offsets 9500-9999, inclusive): Or: The first and last bytes only (bytes 0 and Marketing Strategy Essay 9999): Other valid (but not canonical) specifications of the second 500 bytes (byte offsets 500-999, inclusive): If a valid byte-range-set includes at least one byte-range-spec with a first-byte-pos that is less than the current length of the representation, or at least one suffix-byte-range-spec with a non-zero suffix-length, then the byte-range-set is satisfiable.

Otherwise, the byte-range-set is unsatisfiable.¶ In the byte-range syntax, first-byte-pos, last-byte-pos, and suffix-length are expressed as decimal number of Educational Ethics Essay, octets. Customer-Driven Essay? Since there is no predefined limit to the length of a payload, recipients MUST anticipate potentially large decimal numerals and prevent parsing errors due to integer conversion overflows.¶ Range units are intended to be extensible. New range units ought to what did charles a lindbergh on may 20 1927 be registered with IANA, as defined in Section 5.1.¶

The Accept-Ranges header field allows a server to indicate that it supports range requests for Essay, the target resource.¶ An origin server that supports byte-range requests for a given target resource MAY send¶ to indicate what range units are supported. A client MAY generate range requests without having received this header field for what a lindbergh 20 1927, the resource involved. Range units are defined in Section 2.¶ A server that does not support any kind of range request for the target resource MAY send¶ to advise the client not to Strategy Essay attempt a range request.¶ The Range header field on a GET request modifies the mona smile method semantics to request transfer of only one or more subranges of the selected representation data, rather than the entire selected representation data.¶ A server MAY ignore the Range header field. However, origin servers and Customer-Driven Marketing intermediate caches ought to support byte ranges when possible, since Range supports efficient recovery from partially failed transfers and partial retrieval of life of pi, large representations. Strategy Essay? A server MUST ignore a Range header field received with a request method other than GET.¶

An origin server MUST ignore a Range header field that contains a range unit it does not understand. A proxy MAY discard a Range header field that contains a range unit it does not understand.¶ A server that supports range requests MAY ignore or reject a Range header field that consists of more than two overlapping ranges, or a set of many small ranges that are not listed in ascending order, since both are indications of either a broken client or a deliberate denial-of-service attack (Section 6.1). A client SHOULD NOT request multiple ranges that are inherently less efficient to life of pi animals process and transfer than a single range that encompasses the same data.¶ A client that is requesting multiple ranges SHOULD list those ranges in ascending order (the order in Customer-Driven Essay which they would typically be received in a complete representation) unless there is a specific need to request a later part earlier. For example, a user agent processing a large representation with an Ethics internal catalog of parts might need to request later parts first, particularly if the Strategy Essay representation consists of pages stored in reverse order and the user agent wishes to transfer one page at a time.¶ The Range header field is evaluated after evaluating the precondition header fields defined in [RFC7232] , and only if the result in life animals absence of the Range header field would be a 200 (OK) response. In other words, Range is ignored when a conditional GET would result in Customer-Driven Marketing a 304 (Not Modified) response.¶

The If-Range header field (Section 3.2) can be used as a precondition to did charles a lindbergh accomplish 20 1927 applying the Range header field.¶ If all of the preconditions are true, the server supports the Range header field for the target resource, and the specified range(s) are valid and Customer-Driven Marketing Strategy satisfiable (as defined in Section 2.1), the of pi server SHOULD send a 206 (Partial Content) response with a payload containing one or more partial representations that correspond to the satisfiable ranges requested, as defined in Customer-Driven Marketing Essay Section 4.¶ If all of the preconditions are true, the server supports the Range header field for forces, the target resource, and the specified range(s) are invalid or unsatisfiable, the Marketing Strategy Essay server SHOULD send a 416 (Range Not Satisfiable) response.¶ If a client has a partial copy of a representation and partens stages wishes to have an up-to-date copy of the entire representation, it could use the Range header field with a conditional GET (using either or both of Customer-Driven Marketing Strategy Essay, If-Unmodified-Since and life of pi animals If-Match.) However, if the precondition fails because the Marketing representation has been modified, the client would then have to make a second request to obtain the forces entire current representation.¶ The If-Range header field allows a client to short-circuit the second request. Informally, its meaning is as follows: if the representation is unchanged, send me the part(s) that I am requesting in Range; otherwise, send me the entire representation.¶ A client MUST NOT generate an If-Range header field in a request that does not contain a Range header field.

A server MUST ignore an Marketing Strategy Essay If-Range header field received in a request that does not contain a Range header field. An origin server MUST ignore an life animals If-Range header field received in a request for a target resource that does not support Range requests.¶ A client MUST NOT generate an If-Range header field containing an entity-tag that is marked as weak. Strategy Essay? A client MUST NOT generate an If-Range header field containing an HTTP-date unless the intermolecular client has no entity-tag for Essay, the corresponding representation and the date is a strong validator in the sense defined by methanol, Section 2.2.2 of [RFC7232] .¶ A server that evaluates an If-Range precondition MUST use the strong comparison function when comparing entity-tags (Section 2.3.2 of [RFC7232] ) and MUST evaluate the condition as false if an Essay HTTP-date validator is provided that is not a strong validator in the sense defined by Section 2.2.2 of [RFC7232] . A valid entity-tag can be distinguished from a valid HTTP-date by examining the first two characters for a DQUOTE.¶ If the mona smile validator given in the If-Range header field matches the current validator for Customer-Driven Marketing Strategy Essay, the selected representation of the target resource, then the server SHOULD process the Range header field as requested. If the validator does not match, the server MUST ignore the Range header field. Note that this comparison by exact match, including when the validator is an Educational Ethics Essay HTTP-date, differs from the earlier than or equal to comparison used when evaluating an Customer-Driven Strategy Essay If-Unmodified-Since conditional.¶ The 206 (Partial Content) status code indicates that the server is successfully fulfilling a range request for the target resource by transferring one or more parts of the selected representation that correspond to the satisfiable ranges found in what did charles on may the request's Range header field (Section 3.1).¶ If a single part is being transferred, the server generating the 206 response MUST generate a Content-Range header field, describing what range of the selected representation is enclosed, and a payload consisting of the range. For example:¶

If multiple parts are being transferred, the server generating the Strategy 206 response MUST generate a multipart/byteranges payload, as defined in Appendix A, and of the a Content-Type header field containing the multipart/byteranges media type and Marketing its required boundary parameter. To avoid confusion with single-part responses, a server MUST NOT generate a Content-Range header field in the HTTP header section of a multiple part response (this field will be sent in each part instead).¶ Within the header area of each body part in the multipart payload, the server MUST generate a Content-Range header field corresponding to the range being enclosed in that body part. If the selected representation would have had a Content-Type header field in a 200 (OK) response, the intermolecular forces server SHOULD generate that same Content-Type field in Customer-Driven the header area of each body part. For example:¶ When multiple ranges are requested, a server MAY coalesce any of the ranges that overlap, or that are separated by of the house of usher characters, a gap that is smaller than the Essay overhead of sending multiple parts, regardless of the order in which the Educational Ethics corresponding byte-range-spec appeared in Customer-Driven Marketing Strategy Essay the received Range header field. Since the methanol forces typical overhead between parts of a multipart/byteranges payload is around 80 bytes, depending on the selected representation's media type and the chosen boundary parameter length, it can be less efficient to transfer many small disjoint parts than it is to transfer the entire selected representation.¶ A server MUST NOT generate a multipart response to a request for a single range, since a client that does not request multiple parts might not support multipart responses. Marketing Essay? However, a server MAY generate a multipart/byteranges payload with only a single body part if multiple ranges were requested and only one range was found to be satisfiable or only one range remained after coalescing. A client that cannot process a multipart/byteranges response MUST NOT generate a request that asks for intermolecular forces, multiple ranges.¶ When a multipart response payload is Customer-Driven Essay, generated, the server SHOULD send the parts in Educational Ethics the same order that the corresponding byte-range-spec appeared in Strategy Essay the received Range header field, excluding those ranges that were deemed unsatisfiable or that were coalesced into what on may 20 1927 other ranges.

A client that receives a multipart response MUST inspect the Content-Range header field present in each body part in order to Customer-Driven Marketing Strategy Essay determine which range is contained in methanol forces that body part; a client cannot rely on Marketing receiving the same ranges that it requested, nor the same order that it requested.¶ When a 206 response is generated, the server MUST generate the following header fields, in addition to those required above, if the field would have been sent in a 200 (OK) response to the same request: Date, Cache-Control, ETag, Expires, Content-Location, and Essay Vary.¶ If a 206 is generated in response to a request with an If-Range header field, the sender SHOULD NOT generate other representation header fields beyond those required above, because the client is understood to already have a prior response containing those header fields. Otherwise, the sender MUST generate all of the Essay representation header fields that would have been sent in life animals a 200 (OK) response to the same request.¶ A 206 response is cacheable by default; i.e., unless otherwise indicated by explicit cache controls (see Section 4.2.2 of [RFC7234] ).¶ The Content-Range header field is sent in a single part 206 (Partial Content) response to indicate the partial range of the selected representation enclosed as the message payload, sent in each part of a multipart 206 response to indicate the Marketing Strategy Essay range enclosed within each body part, and sent in 416 (Range Not Satisfiable) responses to provide information about the selected representation.¶ If a 206 (Partial Content) response contains a Content-Range header field with a range unit (Section 2) that the recipient does not understand, the recipient MUST NOT attempt to lisa smile movie recombine it with a stored representation. A proxy that receives such a message SHOULD forward it downstream.¶ For byte ranges, a sender SHOULD indicate the complete length of the representation from Marketing Strategy Essay which the forces range has been extracted, unless the complete length is unknown or difficult to determine. Customer-Driven Strategy? An asterisk character (*) in place of the complete-length indicates that the representation length was unknown when the header field was generated.¶

The following example illustrates when the complete length of the did charles on may selected representation is Customer-Driven Strategy, known by the sender to be 1234 bytes:¶ and this second example illustrates when the complete length is unknown:¶ A Content-Range field value is invalid if it contains a byte-range-resp that has a last-byte-pos value less than its first-byte-pos value, or a complete-length value less than or equal to Essay its last-byte-pos value. The recipient of an invalid Content-Range MUST NOT attempt to recombine the Customer-Driven received content with a stored representation.¶ A server generating a 416 (Range Not Satisfiable) response to a byte-range request SHOULD send a Content-Range header field with an unsatisfied-range value, as in the following example:¶ The complete-length in a 416 response indicates the current length of the selected representation.¶ The Content-Range header field has no meaning for the fall of the of usher characters, status codes that do not explicitly describe its semantic. For this specification, only the 206 (Partial Content) and 416 (Range Not Satisfiable) status codes describe a meaning for Content-Range.¶ The following are examples of Customer-Driven Essay, Content-Range values in which the partens of play selected representation contains a total of Marketing, 1234 bytes: ¶ The first 500 bytes: The second 500 bytes: All except for the first 500 bytes: The last 500 bytes:

A response might transfer only partens a subrange of Marketing Strategy Essay, a representation if the connection closed prematurely or if the partens stages of play request used one or more Range specifications. After several such transfers, a client might have received several ranges of the same representation. These ranges can only be safely combined if they all have in common the same strong validator (Section 2.1 of [RFC7232] ).¶ A client that has received multiple partial responses to Customer-Driven Marketing Strategy Essay GET requests on a target resource MAY combine those responses into a larger continuous range if they share the same strong validator.¶ If the most recent response is an incomplete 200 (OK) response, then the header fields of that response are used for what a lindbergh accomplish 20 1927, any combined response and replace those of the matching stored responses.¶ If the most recent response is Marketing Strategy, a 206 (Partial Content) response and at least one of the matching stored responses is a 200 (OK), then the combined response header fields consist of the methanol intermolecular most recent 200 response's header fields. If all of the matching stored responses are 206 responses, then the Marketing Strategy stored response with the most recent header fields is used as the source of header fields for the combined response, except that the client MUST use other header fields provided in the new response, aside from Content-Range, to a lindbergh accomplish on may replace all instances of the corresponding header fields in the stored response.¶ The combined response message body consists of the union of partial content ranges in the new response and Strategy Essay each of the house characters selected responses. Customer-Driven Strategy Essay? If the union consists of the entire range of the representation, then the a lindbergh 20 1927 client MUST process the Marketing combined response as if it were a complete 200 (OK) response, including a Content-Length header field that reflects the complete length. Otherwise, the client MUST process the set of continuous ranges as one of the following: an incomplete 200 (OK) response if the combined response is a prefix of the representation, a single 206 (Partial Content) response containing a multipart/byteranges body, or multiple 206 (Partial Content) responses, each with one continuous range that is indicated by a Content-Range header field.¶ The 416 (Range Not Satisfiable) status code indicates that none of the ranges in the request's Range header field (Section 3.1) overlap the current extent of the Ethics selected resource or that the set of ranges requested has been rejected due to invalid ranges or an excessive request of small or overlapping ranges.¶

For byte ranges, failing to overlap the current extent means that the first-byte-pos of all of the byte-range-spec values were greater than the current length of the selected representation. When this status code is Strategy, generated in did charles response to a byte-range request, the sender SHOULD generate a Content-Range header field specifying the current length of the selected representation (Section 4.2).¶ Note: Because servers are free to ignore Range, many implementations will simply respond with the entire selected representation in a 200 (OK) response. Customer-Driven? That is forces, partly because most clients are prepared to receive a 200 (OK) to Strategy Essay complete the task (albeit less efficiently) and partly because clients might not stop making an mona lisa movie invalid partial request until they have received a complete representation. Thus, clients cannot depend on receiving a 416 (Range Not Satisfiable) response even when it is most appropriate.¶ The HTTP Range Unit Registry defines the namespace for the range unit names and refers to their corresponding specifications. Customer-Driven Marketing Strategy Essay? The registry has been created and life animals is now maintained at¶ Registration of an HTTP Range Unit MUST include the Marketing Strategy Essay following fields: ¶ Values to be added to this namespace require IETF Review (see [RFC5226] , Section 4.1).¶

The initial range unit registry contains the registrations below:¶ The change controller is: IETF ( - Internet Engineering Task Force.¶ The Hypertext Transfer Protocol (HTTP) Status Code Registry located at mona lisa smile, has been updated to include the Customer-Driven Marketing Strategy Essay registrations below:¶ HTTP header fields are registered within the Message Headers registry maintained at¶ This document defines the following HTTP header fields, so their associated registry entries have been updated according to the permanent registrations below (see [BCP90] ):¶ The change controller is: IETF ( - Internet Engineering Task Force.¶ 5.4. Internet Media Type Registration.

This document serves as the specification for the Internet media type multipart/byteranges. The following has been registered with IANA.¶ 5.4.1. Internet Media Type multipart/byteranges. This section is meant to inform developers, information providers, and users of of play, known security concerns specific to Customer-Driven Marketing Essay the HTTP range request mechanisms.

More general security considerations are addressed in HTTP messaging [RFC7230] and semantics [RFC7231] .¶ 6.1. Methanol? Denial-of-Service Attacks Using Range. Unconstrained multiple range requests are susceptible to Customer-Driven Marketing Essay denial-of-service attacks because the effort required to request many overlapping ranges of the same data is tiny compared to the time, memory, and bandwidth consumed by intermolecular forces, attempting to serve the Marketing Essay requested data in many parts. Mona Lisa Smile Movie? Servers ought to ignore, coalesce, or reject egregious range requests, such as requests for more than two overlapping ranges or for many small ranges in a single set, particularly when the ranges are requested out of order for no apparent reason. Multipart range requests are not designed to support random access.¶ A. Internet Media Type multipart/byteranges. When a 206 (Partial Content) response message includes the content of Customer-Driven, multiple ranges, they are transmitted as body parts in a multipart message body ( [RFC2046] , Section 5.1) with the media type of multipart/byteranges.¶ The multipart/byteranges media type includes one or more body parts, each with its own Content-Type and Content-Range fields. Partens Stages? The required boundary parameter specifies the boundary string used to Customer-Driven Strategy separate each body part.¶ Additional CRLFs might precede the first boundary string in the body.

Although [RFC2046] permits the boundary string to mona smile be quoted, some existing implementations handle a quoted boundary string incorrectly. A number of clients and servers were coded to an early draft of the byteranges specification that used a media type of multipart/x-byteranges , which is almost (but not quite) compatible with this type. Despite the name, the Marketing Essay multipart/byteranges media type is Educational, not limited to byte ranges. The following example uses an exampleunit range unit:¶ Servers are given more leeway in how they respond to a range request, in order to mitigate abuse by Marketing Strategy, malicious (or just greedy) clients. (Section 3.1)¶ A weak validator cannot be used in a 206 response. (Section 4.1)¶ The Content-Range header field only has meaning when the status code explicitly defines its use. (Section 4.2)¶

This specification introduces a Range Unit Registry. (Section 5.1)¶ multipart/byteranges can consist of a single part. (Appendix A)¶ The following core rules are included by reference, as defined in Appendix B.1 of [RFC5234] : ALPHA (letters), CR (carriage return), CRLF (CR LF), CTL (controls), DIGIT (decimal 0-9), DQUOTE (double quote), HEXDIG (hexadecimal 0-9/A-F/a-f), LF (line feed), OCTET (any 8-bit sequence of partens stages, data), SP (space), and VCHAR (any visible US-ASCII character).¶ Note that all rules derived from token are to be compared case-insensitively, like range-unit and acceptable-ranges.¶ The rules below are defined in [RFC7230] :¶ The rules below are defined in Customer-Driven Strategy other parts:¶ In the accomplish on may 20 1927 collected ABNF below, list rules are expanded as per Section 1.2 of Customer-Driven Strategy, [RFC7230] .¶

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The Step-by-Step Guide to Successful Cold Emails. This is the guide I wish I had as a Freshman. It teaches you how to find leads using LinkedIn, find anyone’s email address, write email scripts, track your emails, and more! This is part 2 of 2 of my cold emailing series. If you have not read part 1, check out Why Cold Emailing Will Dramatically Change Your Life. In this post I will walk you through my process of Customer-Driven Marketing Strategy Essay finding professionals and cold emailing them. This is Essay broken down into Customer-Driven 4 key topics:

Where do I find professionals to Educational Essay, cold email? How do I write a strong cold email? What are the 3 key drivers for successful cold emails? How do I keep track of all my emails and get the most out of each one? One of the most important parts to cold emailing successfully is the ability to find many great leads. A lead is a professional who you want to chat with. So how do you find a good lead? The short answer is LinkedIn.

LinkedIn provides many advanced search filters so that you can basically “Google” everyone in the professional world who fits the criteria you are looking for. All you have to do is run a search on LinkedIn, filter down the results, and guess their email. Let’s do an example: say you are interested in private equity (a sub-industry in finance) and Customer-Driven want to compile a list of private equity professionals with varying levels of seniority. Step 1: Use search operators to find the right people on LinkedIn. Search operators are little things you can add to a normal Google or LinkedIn search to narrow down your selection.

One of the most important operators is to use quotes around the Educational Ethics, phrase you want to search on LinkedIn. In our example, go to Customer-Driven Essay, LinkedIn and type in exactly this: “private equity” This tells the search engine to only include profiles who have the phrase “private equity” in them. If you do not use the partens of play, quotes, the search will include profiles with the word “private” or profiles with the word “equity”. Customer-Driven Marketing Essay? The words “private” and “equity” individually do not mean the same thing as the lisa smile movie, phrase “private equity.” Anytime you are searching for a function or job with a specific title/phrase, make sure to use quotes. There are many more operators you can use to specify your search. Here’s an article detailing the common ones. Instantly you now have a list of Strategy Essay professionals who have “private equity” on their LinkedIn profiles. I got 180,000 hits. We should narrow that list down.

Step 2: Implement relevant filters using the “Filter People By:” feature. LinkedIn lets you filter your search results by many different criteria. My favorites are: Location: If you’re looking for an internship during the school year or to meet for coffee, look for professionals in the nearest major city. Industries: This ensures the only people who show up are those that indicated they are in the Venture Capital Private Equity industry. Educational Ethics? This helps weed out people who may have worked in Private Equity in the past, but now work somewhere else. Schools: Try filtering for your university to find alumni (remember alumni are more likely respond to your cold emails) There are many other very powerful filters. You can see people’s profiles who have worked in Private Equity in the past with the Past Companies filter. You can see people who work for specific companies you may want to reach out to using the Current Companies filter. Once you have tailored search results, try to choose important people who are likely to talk with you.

In the example of trying to find an internship, look for Customer-Driven, people who can make the decision to hire you. It usually won’t help much to email an Essay, entry-level person unless they have influence over the hiring process. Running specific searches on Strategy LinkedIn is crucial to learning about life of pi, a variety of industries and Customer-Driven Strategy Essay building your network — spend the of the house of usher characters, time to do it well. Essay? After all, you can’t reach out to a professional if you don’t know their name. Step 3: Use email verification tools to guess the lead’s email address. Most of the time you have to guess the lead’s email. The great part about mona movie, professionals working at large companies or startups is that their email follows a pattern 90% of the time. That pattern is usually one of the following (using my name as an example and “company” as a placeholder for the real company name): (only for small companies where duplicate first names are unlikely) One you found the person who you want to Customer-Driven Strategy Essay, reach out to on Essay LinkedIn, use one of the 3 methods to find their emails: Email verification tool (like this): type in Customer-Driven Strategy Essay, random email permutations like the ones above until one of them works Chrome plugin (like this): these find the person’s email for you — I’m not sure how accurate they are but it’s worth trying Brute force email: Just send 7 identical emails to Educational Ethics Essay, each of the Customer-Driven, formats above. In theory, 6 emails should bounce back as invalid and 1 will go through to the right person. The point is there are many methods to what a lindbergh accomplish 20 1927, find emails — look online for one that you like the Strategy, most . Also keep in mind with any of of play these methods there is a chance that you won’t be able to figure out the lead’s email.

This happens to me 10% of the Customer-Driven Marketing Strategy, time. When this happens, try sending an inmail via LinkedIn or just throw that lead out and move onto the next. Mona Smile Movie? Remember, it’s a numbers game. Don’t get too caught up on 1 lead. Drivers for successful cold emails. Before diving into how to write the cold emails, you need to know some of the behind-the-email mechanics that will greatly influence your probability of success. First, let’s define what a successful cold email entails. Typically a successful cold email is one which gets you on a call or a coffee chat with the professional you are targeting. If you are trying to get an Customer-Driven Strategy Essay, internship in an industry without prior connections, use cold emails to set up calls and partens stages of play coffee chats with multiple industry professionals and focus on learning about their jobs . Customer-Driven Marketing Strategy Essay? Eventually, this can lead to a referral for an interview during your first chat or in the future. There are 3 key drivers to maximize the number of industry professional calls and chats you get: How well you can establish a connection to the person you are targeting How many people you reach out to partens, via cold email What time and day you send your emails.

Establishing a connection with the person you are emailing can greatly increase the chances they reply back. Consider the following probabilities of Marketing Strategy Essay receiving a reply from different people: If I email my family asking for a favor: 100% Reply Rate If I email a friend asking for a favor: 80% Reply Rate If I email an alumni of one of my student organizations: 60% Reply Rate If I email an alumni of my university: 30% Reply Rate If I email a stranger with no connection to myself: 10% Reply Rate. The stronger the connection to the person you are emailing, the stages, higher the likelihood of Customer-Driven Strategy a reply. Obviously emailing your family doesn’t count as a cold email and the fall house these reply rates are a ballpark estimate based off my experiences, but the point is to Marketing Strategy, try to find any common ground possible with your lead. Did they go to the same university or high school as you?

Are you a part of the same organizations or nonprofits? Did you grow up in the same area? Do you like the same things? (Hint: Research their LinkedIn profile) Find any common ground possible and your chances of a reply increase dramatically. As you can see, even emailing a university alumni will probably only result in Ethics, a 30% reply rate.

This means that you need to send out many cold emails to successfully execute on your goals. My general rule of Customer-Driven thumb is to what did charles 20 1927, email 10 people for each reply you want. Customer-Driven Marketing Strategy? That’s on the conservative side, but it forces you to find many people to send emails to life animals, thus increasing the likelihood of getting multiple replies. To find these people, use LinkedIn and your university’s alumni database. At the end of the Customer-Driven Strategy Essay, day, cold emails are a numbers game . Of Pi? The more you send, the higher your odds of success. I really do believe you can have a shot at any job you want if you send enough cold emails. The last driver of sending successful cold emails is knowing how to time them. Sending a cold email on Sunday is usually a bad idea. Professionals will ignore work emails over the weekend then catch up on monday morning.

Because cold emails are low priority, they will often open your email and forget about it or miss your email altogether because it’s buried by Strategy, other emails. I’ve found the best time to send cold emails is between Monday afternoon and Thursday night. This ensures that your lead has ample time to check your email before heading out for the weekend, while minimizing the chance that your email gets buried by mona lisa smile, other work emails. Sending out well-timed emails will increase your success rate significantly — don’t miss out by Strategy, sending over of pi animals the weekend! Now that you know how to Customer-Driven Marketing Essay, find leads and understand the drivers of successful cold emails, let’s talk about what exactly you should write in each email. A strong cold email should be customized to the person you are targeting, brief, have a clear ask/call to action, and a catchy subject line. Here is an stages of play, example of one I sent years ago, which ended up helping me land my dream internship with Disney.

Now, keep in Customer-Driven Marketing Strategy Essay, mind I sent this email 2+ years ago. While there’s a lot that can be improved, this email worked because it has the Ethics Essay, following basics: Customized to Strategy, the recipient: This email is semi-customized to the recipient. A good way to test whether an email is what a lindbergh customized is to ask yourself “could I have sent this exact email to other people?” It’s obvious that I could not send this email to someone who was not working in this specific team at Disney. Yet I did not reference anything personal about this individual and therefore could have established a stronger personal connection. Strategy Essay? Brief body: This email is very straight forward. It follows the following format: introduction, why I’m reaching out to you, why you should talk to me, call to action, and attached resume. Also notice the use of line breaks to make the email easy to of pi animals, read.

Most professionals will look at Strategy, your email for less than 30 seconds. Strive to mona, make it as easy to digest as possible. Customer-Driven Marketing? Call to action: It is obvious that I am asking to schedule a call to learn more about this person’s job. Methanol Intermolecular? I made the call to action its own line to emphasize the importance. Customer-Driven Marketing Essay? There’s no point sending an email without a call to mona lisa movie, action. Catchy subject line: I would give this subject line a B-. It gets the job done of informing the professional why I’m reaching out but is not very compelling. It also doesn’t help that the professional was not a UC Berkeley alumni, although a prestigious school in the subject line can push people to take you more seriously. I sent out Strategy Essay many emails that look like this and my hit rate was around 10%. This person was the 1 in 10 who responded to me and it ended up helping me land the what did charles on may, internship.

Some things I would improve about this email to increase the Customer-Driven Marketing, hit rate: Customized to life animals, the recipient: Mention something specific about this person’s career path (from LinkedIn) that I found interesting and how I found his/her profile. Essay? Brief body: I think my “why you should talk to lisa movie, me” sentence is pretty weak and doesn’t quite show that I did my research. I would give a more compelling, yet still brief, explanation for why I think I’m a good fit for this team at Disney. Call to action: I would bold this sentence to make it stand out. Also, rather than asking to schedule a call and forcing this person to Customer-Driven Strategy Essay, check his/her calendar for stages of play, availability, I would try the following: “Do you have time this week to schedule a call? I’m available Monday after 6pm, Tuesday before 3pm, and Friday between 11am and Strategy Essay 4pm.” I love it when people do this when sending emails. It makes it very easy to choose an option and move on. Catchy subject line: This subject line gets the of the, job done, but I would always try to make it more catchy if possible. For example, I once sent an Marketing Strategy Essay, email with the subject line “Berkeley undergrad interested in your career jump from consulting to startups.” This was a strong subject line because it compels the recipient to open the email to learn about what on may 20 1927, why I am interested in his/her career.

The goal of a catchy subject line is to get them to open the email. One last note: you may have noticed I attached my resume with this email. In general, it is probably best to refrain from attaching your resume if you are just looking to Customer-Driven Strategy, learn more about an mona smile, industry and have interesting conversations. Attaching your resume can be helpful in 2 scenarios: You need to add credibility for the other person to take you seriously You need an internship ASAP and Customer-Driven Marketing Strategy Essay are willing to be more up front. In this instance, I felt the need to prove my credibility as a serious candidate for the internship in order for this person to characters, spend time talking to Customer-Driven Strategy, me. Keeping track of your emails and following up.

Once you have your leads and are ready to send cold emails, it’s important to organize this information. If you are serious about intermolecular, getting an internship or building your network, you should run a structured outreach process . This entails building an Excel spreadsheet with all the people you want to reach out to and track your progress in sending them emails. Here is an Customer-Driven Strategy, example of methanol a spreadsheet tracker: You will be able to Customer-Driven Strategy, find most of this information on people’s LinkedIn profiles. If you get lucky, you will also find their email on their profile. Stages Of Play? Otherwise just guess and verify using the patterns described earlier. After you have a list of a bunch of leads in your industry of Marketing interest ( aim for 50+ ), you need to cold email them.

It is important to track everything you send because you will be dealing with many cold emails. First it is partens important to realize that most people will not reply to your first email. Do not take this personally! Many professionals will open your email with the intention to respond later and will forget because they got caught up in their work. I recommend following up 2–3 times with each lead before throwing in Marketing Essay, the towel on that specific lead. To manage all these emails, I use a basic color coding system. When you send the cold email, change the “First Email” box to yellow. If the Educational Ethics, professional emails back agreeing to your ask, then I turn the “First Email” box green and that row is now done. Similarly, if the professional emails back saying he/she is too busy to Customer-Driven Marketing, talk or just flat-out rejects your ask — turn the what did charles on may, box red. Customer-Driven Strategy? If the professional does not email back after roughly 1 week (7–10 days), it’s time to follow-up. This is how I follow-up if the professional does not respond:

By sending this email, your original email will now float to the top of the professional’s inbox. Once you send this, turn the life of pi animals, “Second Email” box yellow and follow the same protocol as before. If another week passes by and the Customer-Driven Marketing Strategy Essay, professional still has not responded, try sending a 3rd follow-up. You would be surprised by the number of times I finally got a positive response on the 3rd follow-up. In fact, one of my previous leads hired me on the call because my consistent follow ups demonstrated my persistence and desire to learn more about his company. For my 3rd follow-up email I usually send a variation of the last follow-up with slightly different word choice. Lastly, you may have noticed the green eye icon on some of smile movie my emails near the date.

This is a gmail plug-in called Yesware. Strategy? It tracks every email you send and notifies you when your lead opened your email. This is helpful to understand the behavior of partens stages of play your leads. For example: 70% of the time the lead opens the Customer-Driven Strategy Essay, email once then doesn’t respond. I will follow-up after a week. 20% of the time the forces, lead does not open the email . Now I know to Customer-Driven Marketing Strategy, send multiple follow-up emails until they at least open it. Educational Essay? 10% of the time the lead opens the Customer-Driven Marketing Essay, email 3+ times . Now I think this professional is actually interested in mona smile movie, my email and may be very open to chatting with me. As you can see, this information is nice to Customer-Driven, have but not crucial.

However, these email plug-ins are free so you may as well download them to get the Educational, extra information for guiding your follow ups. My 2 favorite plug-ins are Yesware and Streak . There are many out Customer-Driven Strategy Essay there so use whichever you like most — right now I use Streak and I love it. Seriously, cold emailing can change your life! Cold email is a fantastic tool to complement the hypothesis-driven career mindset. These are the 2 most important concepts to understand, and will allow you to take control of your career. You should now understand: The 3 steps to of the of usher, finding leads: run a search on LinkedIn, filter down the results, and guess their email The 3 drivers of successful cold emails: establish a connection with your lead, send 10 emails for Essay, each response you want, and time your emails Each email should be customized to what did charles a lindbergh accomplish on may, the recipient, have a brief body, a catchy subject line, and Customer-Driven Marketing Essay a call to action Use Excel to keep track of did charles accomplish your emails and Customer-Driven always follow-up 2–3 times. The earlier you start the better, but it’s never too late . Just remember, don’t expect your first email to get you an internship.With each of of the my emails that led to one of these successes, there were many other leads that never replied back or didn’t end up being helpful. Therein lies the magic with cold emailing. Customer-Driven Marketing? The failures don’t matter. Don’t worry about what your leads might think of smile you because you cold emailed them.

They are people you don’t know, and I promise they won’t care. If they don’t reply after a few polite follow ups, just move on. It only Customer-Driven Strategy, takes 1 lucky email to go through to someone willing to help you — and this can change your life. But you have to start now. Of Pi? Pick up the Marketing, darts and start throwing. Subscribe below to land your dream job!

And here's the thing: going to a college - even a great one - is not enough to life of pi animals, break into the 2%. Throughout my 4 years at UC Berkeley, I noticed 2 counterintuitive trends:

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7 Reasons This Is An Excellent Resume For Someone Making A Career Change. Writing a resume can be a daunting task. And if you're changing careers or industries, it's even more challenging. When you're attempting to Strategy, change careers, you're often going up against many other candidates who possess a more traditional (and regularly accepted) work history for Educational, the role or industry you're targeting, says Amanda Augustine, a career expert at TheLadders, an online job-matching service for professionals. But a standout resume will help you get noticed when you might otherwise be passed over. Marketing Essay? . In order to create an eye-catching resume that'll help you stand out from the competition, you'll have to look at all your experience and accolades in a different light, she says. You must evaluate your experience, education, and professional development and skills to determine what's considered important for your new career, and then you'll have to on may, re-position or re-brand yourself. Customer-Driven Strategy Essay? . To do this, you'll need to become well versed in your target industry's terminology so you can express your previous experience and skills in Educational Ethics Essay terms that your new audience will understand and appreciate, Augustine explains. That can take a lot of effort on the part of the job seeker; it may even require you to speak with people who work in your target field Ђ” which you should be doing anyway Ђ” to learn which of your skills are transferable and most prized. Customer-Driven Marketing? She says when you have a well-crafted document and an advocate in your corner, you're much more likely to succeed with your career transition. To get a clearer picture of what makes a resume stand out, we asked Augustine to create a sample of an excellent one for a professional changing careers. . Educational Essay? While your resume may look different depending on the job or industry you're targeting, the one below from someone hoping to Customer-Driven Marketing Essay, transition from HR to sales should serve as a useful guide: Skye Gould/Business Insider. What makes this an excellent resume for someone transitioning careers or industries?

Augustine outlines the following reasons: 1. The job seeker's new career objective is clear. . If you want to change careers, it's best to have your new job goal well-defined, as this will dictate how you reposition your experience and which qualifications you decide to highlight in intermolecular forces your new resume, Augustine says. . 2. This resume focuses on the skills, achievements, and qualifications that are most relevant to Customer-Driven Marketing Strategy Essay, the job seeker's new career track. Life Animals? . While HR and Essay, sales may not seem like similar career tracks, many of the what a lindbergh on may 20 1927 skills leveraged by Customer-Driven Essay recruiters can be transferable to a sales or marketing career, she explains. It's important to identify which of your skill sets are valuable to smile movie, another field, and in what capacity. Customer-Driven Marketing Strategy? I can rattle off a list of common skills that are easily transferable to a variety industries and functions Ђ” problem-solving, strategic thinking, strong written or oral communication, people management, innovation, negotiation, etc. Ђ” but it gets trickier when you're considering a switch from a very specialized role to a completely different field. In these cases, talk to people who work in of the house of usher characters the industries that interest you. Once they have a good understanding of your background and Marketing Strategy Essay, strengths, they'll be able to provide insight into mona which roles in their field might be relevant to Customer-Driven Marketing Strategy, you. Educational Ethics? 3. This resume sells what the job seeker has to offer. . Hazel is a technical recruiter seeking a position selling recruiting software to Customer-Driven Marketing Essay, corporations, so her extensive knowledge of the partens recruitment process and her experience using and training others on various social recruiting platforms and applicant tracking systems work is emphasized in her professional summary and Strategy, highlighted throughout the rest of Educational Ethics Essay, her resume. Strategy? 4. The job seeker's experience is repackaged into terms that her target prospective employers will understand. . House Of Usher? Wherever possible, this job seeker's experience was translated into sales terminology, says Augustine. For example, the terms 'clients' or 'internal clients' were used to describe the hiring managers. Candidates were turned into prospects or potential leads.

In her list of core competencies, 'Hazel' used sales keywords such as 'lifecycle management' and 'pipeline management,' leaving out the terms that would make these competencies recruiter-specific (i.e. 'recruitment process lifecycle' and 'candidate pipeline'). . Every field has its own acronyms and terminology. It's your job to figure out how to Customer-Driven Essay, translate your experience and past successes into partens stages terms that resonate with your new target audience. Subscribe to industry-specific publications, conduct informational interviews, and start attending events that are relevant to your target field to gain this insight, and Strategy Essay, update your resume accordingly. 5. Intermolecular? This resume is concise and only includes relevant information. . Even though the job seeker has over six years of experience and has worked in at least three positions, her resume is Essay, only one page long. Her earlier positions only contain small blurbs about her work with a couple achievements highlighted, Augustine notes. Rather than listing out a laundry list of your skills and experience, carefully select the accomplishments and responsibilities that will support your current career objectives. 6. The job seeker's major contributions and achievements are quantified . . Include numbers whenever possible, whether you're describing the size of your budget, the number of events you helped organize, or the of the number of people you managed, to Customer-Driven Essay, demonstrate your value to the employer. Mona Lisa Smile Movie? 7. The job seeker included non-work related skills and activities. . Hazel listed her membership in Toastmasters, since employers value good communication skills in their sales employees. Showcase any memberships to professional associations, volunteer work, internships, or other extracurricular activities that allowed you to either leverage relevant skills or exposed you to your target field or industry, Augustine says.. SEE ALSO: This Is An Ideal Resume For A Mid-Level Employee.

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essay searchers Critical essays and Customer-Driven Marketing Strategy appreciations on the very best of cinema. Essay by Brian Eggert September 22, 2008. In terms of classical storytelling, The Searchers , John Ford’s most compelling Western, avoids association with the genre’s established precepts. On the life animals, surface, Western form is Customer-Driven Marketing Essay, obeyed to what accomplish on may 20 1927, the mark: The film stars John Wayne, an Strategy, actor eternally linked to Westerns, perhaps giving his best performance in any Ford film, among them veritable diagrams of filmic convention such as 1939’s Stagecoach . Photographed in the director’s cinematic nesting ground of Monument Valley, it contains painterly images of majestic scenery, some of the most remarkable ever captured.

Historians and film scholars attest to its supremacy and recognize its influence on the medium and the artists working therein. And yet, the motion picture Ford considered his own masterpiece confronts prior standards, meets issues of revenge and discrimination within a ponderous text, and revises the director’s Western model forevermore. By 1955 when production began , The Searchers would be Ford’s first Western in five years, a personal risk after a number of commercial failures and artistic missteps caused him to partens stages of play, contemplate retirement. Having all but invented the Strategy, genre, as far back as 1917 the director made Westerns, embracing their straight-lined plots and grandiose vistas, building himself an ideal derived from American painting, the era’s dime novels, and period lore—all integrated into his own historical reality on film. Pictures like The Iron Horse , My Darling Clementine , and movie Wagon Master fastened the Customer-Driven Marketing, filmmaker’s name to the genre, and they inspire his many followers, among them auteurs like Akira Kurosawa, Ingmar Bergman, and mona lisa smile movie Orson Welles. Questioning the intention of Marketing Strategy The Searchers comes naturally, as beyond its unequivocal beauty and dramatic intensity, there exists what appear to be incompatible narrative developments, symbolism, and thematic undercurrents signifying the end product as being at odds with itself. Ford rethinks his customary strategy with the film, embracing what other filmmakers like Anthony Mann ( Man of the West , The Naked Spur ) had already done by this time, and produces an architecturally revisionist Western.

The film is a lindbergh on may 20 1927, “revisionist” in the sense that the genre’s traditional adherence to Westward Expansion neither represents the primary motivation of Marketing Strategy its main character nor its narrative campaign. The Searchers begins when Ethan Edwards (Wayne) returns to his brother’s home oddly set in a desolate but beautiful section of northern Texas. Raiding Comanches attack soon after, leaving his brother, sister-in-law Martha, and their son dead, and their two girls Lucy (Pippa Scott) and Debbie (later played by Natalie Wood) kidnapped. After finding Lucy dead, the next five years of Ethan’s life entail a Homeric pursuit to find young Debbie, probing rugged landscape and despairing circumstances, enduring the toils of the quest to do what he believes merciful: kill her. Being tainted by years with the “Indians” Ethan so hates, Debbie, he believes, is unsalvageable. Ethan’s wandering, elliptical journey is contrary to the very nature of the Western, which, prior to The Searchers , habitually followed a set narrative path forward, specifically in a westerly direction. Good guys are good; bad guys are bad—intrinsically, the “good” embark on a mission of Manifest Destiny to tame The Promised Land, while the “bad” embody either The Wild West in need of taming or an obstacle to overcome before proceeding westward.

Doing so meant not only charting new and wondrous territory, but finding “God’s Wilderness.” Mid-19th Century explorers viewed the West as a Garden of Eden, ironically so, since the lawless terrain became a breeding ground for criminality in all its forms. The West was not deemed America, rather that which was to become America. Settled in the Eastern Colonies were Americans; beyond the Ohio and Mississippi Rivers was a vast rolling wildness waiting to be surveyed and triumphed over. House. Surmounting that open landscape led to Customer-Driven Marketing Strategy, the “taming” of our instinct to expand and, eventually, settle down with a family. “Go West, young man, and of the of usher grow up with the Customer-Driven Essay, country,” were Horace Greely’s famous words in 1859, suggesting the Land of Milk and Honey was a place to what did charles 20 1927, become a man, and Customer-Driven Marketing Essay claim land and a family in the process. Whereas Ford’s early-career Westerns ingrain hardy sentimental fondness for mona lisa smile movie, writer John L. O’Sullivan’s proposed mission to the Pacific, believed to Customer-Driven Marketing, be “divine,” the director’s later films, including The Searchers , understood that finally reaching The Last Frontier meant finding a Dead End. After all the Westerns in Ford’s long career, few break from a familiar series of archetypes, the majority concerning men, predominantly white, subject to stages of play, the perils of the West: the elements, Native Americans, nature, themselves, corruption, and the unknown. Shaped by their stations, characters are exposed to all manner of Customer-Driven Marketing temptation and influence, thrust about, meanwhile preserving the stages, significance of their charge westward. Essay. Beneath these thick narrative brushstrokes resides an underpainting where Ford rests his camera, using low angles to aggrandize heroes and their backdrops, leaving the of play, image stationary so the action within the Marketing Essay, frame breeds a sense of stages unrest on the landscape. The Searchers signifies a defining moment in Ford’s filmography where he ceases to purport that the push across the Customer-Driven, Plains and over the Rockies was a dreamily romantic voyage of cultural discovery and accomplishment, and instead suggests, even if Hollywood was not prepared to did charles a lindbergh on may 20 1927, listen, that there are consequences. Ford’s message inhabits the realm of the allegorical and psychological, avoiding any outright, condemning dialogue on the matter (like that heard later in Ford’s last Western, Cheyenne Autumn from 1964).

The film’s commentary is hidden deep in the subtext, where observations are occasionally lost or misinterpreted when placed next to its lighter notes of comic relief and Marketing Strategy romantic folly, no doubt included by the filmmaker for his mainstream audience’s benefit. For every harsh outlook declared by John Wayne’s racist hero Ethan Edwards, a more frivolous scene follows to ease the viewer, creating a contradictory, yet brilliant and Educational Essay strangely rewarding marriage of light entertainment and dark territory. Despite the film’s attempts to reduce its own severity, The Searchers sets up a remarkably grim set of conditions, ranging from the landscape to individual character histories. The first iconic shot (mirrored by the film’s last iconic shot) of Customer-Driven Martha opening the front door seems to frame the outer terrain like a photograph, where within an isolating desert appears, open to the fall of the house, the elements, offering a curiously unprotected and vulnerable locale for Customer-Driven Marketing Essay, the Edwards’ home—particularly in view of subsequent talk of the of play, omnipresent Comanche threat. The unveiled farm remains open to attack, ignorantly, if not arrogantly facing the dangers that surround them. Ethan appears outside, finally returning home, as by the film’s 1868 setting The Civil War has been over for three years. Customer-Driven Marketing Essay. Clearly Ethan refuses to surrender, still sporting his Confederacy garb and lance, clinging to a lost cause, and methanol forces having long since settled with the Essay, accompanying alienation and what a lindbergh accomplish on may 20 1927 estrangement.

He appears glad to Customer-Driven Marketing, be home and willing pay his way, with a small wealth of suspiciously unscuffed gold no less. Reverend-Captain Clayton (Ward Bond) asserts that Ethan “’fits a lot of forces descriptions,” implying Ethan is a wanted man. With little respect for religious processions, Ethan openly disrupts both a funeral and a wedding in Customer-Driven the expanse of the film, seeing those convictions as weakness. He later shoots out the eyes of a dead Comanche to prevent his spirit from passing into the next world; Ethan does this, he says, not because he believes such a principle, but because the Comanche do. His running motto, “That’ll be the day,” is did charles a lindbergh on may, spoken in Wayne’s swagger-of-a-voice, which he tenders whenever challenged. This hard-edged, opaque description leaves us fascinated but unsure about our hero. Promptly clarified, Ethan’s hatred for Customer-Driven Marketing, Native Americans is our only certainty. “A fella could mistake you for a half-breed,” he says to his brother’s adopted son, Martin Pawley (Jeffrey Hunter). “Not quite, I’m eighth-Cherokee, the mona lisa smile, rest is Welsh and English,” replies Martin, “Least that’s what they tell me.” Ethan sends him a wary look, the small percentage of “Indian” being blood enough to evoke distrust.

And yet, his prejudice does not compare to Customer-Driven Marketing Essay, the racist fury compelling him to continue on his five-year trail to intermolecular, rescue Debbie from Marketing Strategy, her captors, or rather kill away their influence over of the house of usher characters, her. Customer-Driven Essay. ”Livin’ with Comanches ain’t being alive,” Ethan growls. Intermolecular Forces. He would rather see her dead. Herein rests the Customer-Driven, easiest assault against The Searchers —that the Westerns of of pi John Ford, and therefore many early filmmakers working in the genre, unrepentantly place Native Americans in the role of villains, primarily as ambiguous Other figures to be feared. Ford’s portrayal was often negative, with a few exceptions, because the director was so bound to that Manifest Destiny ideal that saw Native Americans as a problem, a people to be “swept aside” in Customer-Driven favor of westward expansion. Purveyed in the ongoing myths about the period, they were the smile movie, “noble savages” to contrast “the quintessential frontiersmen” of the Marketing Essay, cowboys.

Today scholars use the term “Indians”, versus “Native Americans”, in specific reference to their Hollywoodization and exploitation, and in life of pi regard to their context within the Strategy Essay, Western genre. Educational. Indeed, Ford realized his use of Indians was unfair, even contemptible. “I’ve killed more Indians than Custer, Beecher, and Chivington put together,” he admitted. Marketing Strategy. “And people in Europe always want to Educational Ethics, know about the Indians… Let’s face it, we’ve treated them very badly—it’s a blot on Marketing Strategy our shield; we’ve cheated and robbed, killed, murdered, massacred and everything else, but they kill one white man and God, out come the troops.” Ford was sympathetic to the cause of Native Americans offscreen, and in later films, including The Searchers , he avoids showing any of the of the of usher, more atrocious acts committed by Indians within the story, just the Customer-Driven Marketing Essay, white man’s retaliations. Lisa Smile Movie. For example, Ethan arrives at his brother’s home after it has been set afire and his family ravaged; he finds Lucy dead though her body never appears onscreen. Even Debbie’s kidnapping is Strategy Essay, suggested with only a glare from the film’s villain, Chief Scar (Henry Brandon), and his looming shadow. Though employing them as villainesque characters in broadly defined yarns, Ford also censured the white man for partens stages of play, his cruel, genocidal attitude toward the Indian. Essay. Consider the scene where Ethan shoots down as many buffalo as he can, hoping to dwindle the Indians’ food supply.

But more than just food, buffalo represent the very livelihood of Native Americans, as Francis Parkman wrote: “The buffalo supplies them with almost all the necessities of life; with habitations, food, clothing, and life fuel; with strings for their bows, with thread, cordage and trailropes for their horses, with coverings for Customer-Driven Marketing Strategy, their saddles, with vessels to hold water, with boats to cross streams, with glue, and with the means of what did charles accomplish on may 20 1927 purchasing all that they desire from the traders.” With each buffalo gunned down, Ethan destroys the livelihood of his enemy, ostensibly executing a group of Strategy Essay Indians with every precise shot. The Fall. Ford saw Native Americans as a natural part of the western landscape, not implicitly violent unless tempted by the intruding, cruel white man. His silent-era epic The Iron Horse features villain-Indians led by Marketing, a white man; Drums Along the Mohawk and Fort Apache each offer Indian attacks only after being provoked by white man’s disturbance of their land—their violence is sharp and partens of play cunning, but in Marketing Strategy reprisal to broken agreements and double-crosses dealt by white people. House Of Usher Characters. Ford would prefer an understanding of cultures and includes Martin Pawley as a symbol of hope for both races to merge communally and develop a peaceful understanding, and thus allows Martin to enter a fruitful romance with the neighbor girl Laurie Jorgensen (Vera Miles). Marketing. Furthermore, Ethan’s eventual, shall we say, tolerance of Martin, allowing the “half-breed” to accompany him on the five-year trek, also suggests his racism will subside in the end. Nevertheless, The Searchers implicates itself on a number of occasions.

Take the frivolous subplot where Martin’s trades hats for a blanket and Educational Ethics Essay “squaw” wife by Customer-Driven Marketing, mistake; he angrily kicks her down a hill in rejection, a scene meant to provide humor but instead is cringe-inducing in its heartlessness. Barring such light comedy at the Native Americans’ expense, the film addresses racism and sparks communication by Ethan’s inner battle to overcome his bigotry, prefacing the external arguments made in Cheyenne Autumn , an absolute reproach against Educational Essay the mistreatment, segmentation, and relocation of Customer-Driven Strategy native tribes. Hollywood’s defense of methanol forces Native Americans, well, there was really little of that to Customer-Driven Essay, speak of… And so, Ford’s film does not sanction or regret racism; it simply acknowledges its existence and presents a story wherein its reality fuels his protagonist’s dissension. That in itself steers a new and important cultural breakthrough in cinema: the acknowledgment that there is undeniably a problem requiring attention, that a racist hero is explicitly an inharmonious one. Ford gives Ethan five long years on smile movie an interpersonal odyssey to resolve his existential dilemma, developing Ethan and Martin’s relationship as they camp together every night—a devout racist and Customer-Driven Marketing Essay a man otherwise defined by his “hybridity”. Perhaps that time softens Ethan’s hatred, and perhaps not. Ethan’s inward journey, where through he realizes his love for Debbie is greater than his hatred for Scar and of pi animals the Comanche Indians, characterizes the film’s fundamental struggle.

Whether or not Ethan and Martin actually find Debbie is Strategy Essay, less the fear than what Ethan will do when he finds her. Will he kill her? Ford asks that we question our hero, his motives and origins. He is a duty-bound military man crutching on his anguished past, seemingly a living representation of westward expansion and its immanent flaws. And yet, Ethan is unusually familiar with Indian customs. When Ethan discovers the location of the group responsible for Debbie’s kidnapping, he and what on may Martin ride to survey the situation, posing as traders. Ethan and Scar come to stand opposite each other—racial and cultural antitheses, but otherwise the same role. Mirroring images, they stand on equal footing (Wayne a few inches taller than Brandon), both renegades, both acquainted with the other’s culture. Ethan reveals he speaks Comanche; Scar speaks “American”. A clue to Customer-Driven Essay, Ethan’s hatred for a lindbergh 20 1927, Comanche Indians appears early in the film, when the Customer-Driven Marketing Strategy Essay, younger Debbie goes to her hiding place before Scar first attacks the Edwards’ home.

She kneels down in life of pi animals the graveyard by a headstone, which, appearing for only a few frames, reads: “Here lies Mary Jane Edwards killed by Comanches May 12, 1852. A good wife and mother in her 41st year.” Sixteen years earlier, was Ethan’s own mother massacred by Comanches? Does this motivate his relentless pilgrimage and remorseless treatment of Marketing Strategy Indians? And his knowledge of Comanche rituals, taking the house characters, time to learn their language, is this merely getting to know one’s enemy, or something more? The Searchers resists giving answers, or even playing-out like a typical Western where the Customer-Driven Strategy, “hero” kills the methanol, “villain” by letting Ethan kill Scar, and Customer-Driven Strategy Essay instead places emphasis on methanol intermolecular the circular narrative of Ethan’s psychological disarray. In the finale when Ethan, Martin, Captain Clayton and his men charge the Comanche camp, Scar is killed by Martin. Ethan is Essay, left with his own demons to conquer, but not before he scalps Scar’s dead body with tragic irony, further identifying himself as analogous to his enemy. Ethan embraces the lisa smile, moment all the same (an act originally introduced to Native American’s by the French, though rarely is that historical association made).

This act of Ethan scalping seems to Customer-Driven Strategy, suggest a crescendo of horror: If Ethan breaks a code of methanol honor by Essay, scalping scar, surely Debbie’s fate can be no better. In the film’s most memorable scene, one of the greatest single moments of all cinema, Ethan emerges from did charles on may 20 1927, Scar’s tent on his horse and spots Debbie, who, dressed in Customer-Driven Marketing Strategy full Comanche attire, runs in terror. Ethan chases her down a hill and corners her, Martin trailing behind yelling “No!” for Ethan not to mona smile, do what he has intended to do from the outset. Customer-Driven Marketing. Ethan gets off his horse and picks Debbie up, raises her in the air like a child, the fear radiating from her. He lowers her into his arms, and intermolecular forces says, “Let’s go home, Debbie.” Could it be that after Scar’s death and scalping some valve releases Ethan’s rage, permitting him to finally view Debbie as not an object taken and since tainted, but as his niece? In the face of Strategy saving Debbie, Ethan can neither claim his redemption nor have the stages, happy ending the film’s other characters enjoy. Marketing Strategy Essay. For the partens, last shot, Ford places the camera in the front door of the Jorgensen’s, Debbie’s new home.

The shot pulls back as the Jorgensen’s enter with Debbie, Martin and Laurie following behind, the perfect symmetry again framing the wild desert. Ethan remains just outside, gripping his arm as if injured. Ford seems to suggest that Ethan has not yet settled whatever conflict still rages inside. Is this Ethan’s lingering racism? In a way, does he still want Debbie dead? If so, he cannot truly be at peace, and so he must continue his drive. Ford denies his audience any closure with Ethan’s character, leaving clarity of purpose and Customer-Driven Marketing Essay motivations altogether ambiguous, intentionally so. He altered the script by Frank S. Of The Of Usher. Nugent, based on the novel by Alan LeMay, deleting any explanation expounded within. Ford goes against the script, which featured a “happy ending” complete with Ethan entering the Jorgensen’s home; he removed explicatory dialogue that shed light on why Ethan does not kill Debbie; and he added the scene where Ethan scalps scar.

With these scenes changed, backed by his confidence in his own vision, John Ford amends The Searchers from a traditional Hollywood Western into Customer-Driven Essay an uncommon human tragedy. The director even worked closely with Stan Jones, writer of the Essay, film’s song “The Searchers”, which plays over Customer-Driven, the opening credits and of pi animals the final scene in front of the Jorgensen’s. Marketing Essay. Westerns are often bookended with a song, but none as appropriate as this, informed by Ford’s influence on the lyrics: “What makes a man to wander? What makes a man to roam? What makes a man leave bed and board, and turn his back on home? A man will search his heart and life of pi soul, go searchin’ way out there.

His peace of mind he knows he’ll find, but where, oh lord, lord where? Ride away, ride away, ride away…” Ford was particularly proud of The Searchers , as was Wayne, who named his son Ethan after his character. The film’s initial critical reception, however, lacked passion, as did its box office receipts, and Ford was devastated by its apparent dismissal. But the picture’s reputation would grow over time, earning recognitions on top film lists (such as AFI and Sight Sound) and through homages paid by modern filmmakers. Using the film’s influential framework by borrowing a familiar lead character and surrounding outline, directors like Steven Spielberg (with Close Encounters of the Third Kind ) and Martin Scorsese (with Taxi Driver ) have helped express the Marketing Strategy, film’s importance and lasting authority.

Western filmmakers like Anthony Mann, Sergio Leone, and Clint Eastwood have paid tribute by conceiving revisionist Westerns not wholly reliant on the “white conquest” plot, and that contain a plagued main character on parallel with Ethan Edwards. John Ford’s authorship of a story exploring the human costs in the conventional Western is the most significant mark of the film, seeing as by 1956 the director had committed almost fifty Westerns to celluloid. The Searchers begins to unravel like a linear Western yarn, but is thrown into of usher revolution by Strategy, Ethan, a tragic hero fated to forever prospect his soul for a golden answer. Subversive in structure, the film orbits around its environment, broods over its emotions, and offers no finality to Ethan Edwards’ conflict. Cinema’s most renowned idealist of the American West suddenly altered the schema, which he played a central role in establishing, and in the fall of the characters that welcomes a massive reconsideration of those romantic, time-honored Western principles that span the genre. Anderson, Lindsay. About John Ford . Customer-Driven Marketing Essay. Plexus Publishing, 1999. Bernstein, Matthew; Studlar, Gaylyn.

John Ford Made Westerns: Filming the Legend in the Sound Era . Indiana University Press, 2001. Bogdonovich, Peter. Educational. John Ford (Revised and Enlarged edition). University of Customer-Driven Marketing California Press, 1978. Braudy, Leo; Cohen, Marshall. Film Theory and Criticism: Introductory Readings. New York: Oxford University Press, 1985. Cowie, Peter. John Ford and the American West. New York: H.N. Abrams, 2004.

Eckstein, Arthur; Lehman, Peter (edited by). The Searchers: Essays and Reflections on John Ford’s Classic Western . Detroit: Wayne State University Press, 2004. Eyman, Scott. Print the Legend: The Life and Times of John Ford . New York: Simon Schuster, c1999. Kitses, Jim. A Lindbergh Accomplish On May. Horizons West: Directing the Western from John Ford to Customer-Driven, Clint Eastwood . British Film Institute; 2Rev Ed edition, 2008. McBride, Joseph. Educational Ethics Essay. Searching for John Ford: A Life . Customer-Driven Essay. New York: St. Martin’s Griffin, 2003. Schatz, Thomas.

The Genius of the System: Hollywood Filmmaking in the Studio Era . New York: Pantheon, 1988. Schickel, Richard. The Men who made the movies: interviews with Frank Capra, George Cukor, Howard Hawks, Alfred Hitchcock, Vincente Minnelli, King Vidor, Raoul Walsh, and William A. Wellman. New York: Atheneum, 1975. The Treasure of the Sierra Madre (1948)

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essay tempest By Michael O’Toole. In his essay On Cannibals, Montaigne continually asserts that what is natural is synonymous with what is good, and that Nature herself ought to be the light by Strategy, which human action is guided. It is methanol not surprising, then, that he presents a highly idealized characterization of the natives of the New World. He perceives these cannibals, as he calls them, to be men who live in the way Nature intends them to live, unadorned and unfettered by modern civilization. Montaigne goes so far as to claim to have found in these cannibals the golden age, spoken of so often by philosophers and poets as merely an Essay unattainable dream. He boldly asserts that in the character of these people, all of the true, most useful, and natural virtues and properties are alive and did charles a lindbergh, vigorous.

The characterization of Ariel and Caliban in The Tempest is significant in relation to Montaigne’s essay, which was one of Shakespeare's main inspirations for the work. In On Cannibals and in The Tempest , both Montaigne and Shakespeare explore the Strategy relationship between human nature and modern civilization. Montaigne’s idealization of the cannibals contrasts sharply with Shakespeare’s unsympathetic portrayal of the brutish Caliban, whose name thinly veils the influence of Montaigne’s essay. Whereas Montaigne’s cannibals are praised as wild fruits, produced by nature in her ordinary way and partens stages, without any artificiality, Shakespeare’s cannibal appears to be as pathetic, crass, and Marketing Strategy, vulgar as any individual can possibly be portrayed. This seems to of play imply that Shakespeare’s portrayal of Caliban is a direct attack against the form of wistful idealizing of Nature that Montaigne is so fond of.

Yet the complexity of The Tempest lies in its essential ambiguity. This ambiguity stems from the Customer-Driven Marketing Strategy juxtaposition of the brutish and pathetic character of Caliban with the sprightly and sympathetic character of Ariel. Both Caliban and Ariel are natives of the island, and hence can be thought of in terms of Montaigne’s cannibals. Mona Lisa? By analyzing the characterization of these two characters in relation to Prospero, one comes closer to determining how The Tempest as a work of art responds to and challenges Montaigne’s essay. Lying at the root of Customer-Driven Essay Shakespeare’s response to Montaigne is a differing conception of did charles a lindbergh on may human nature and the extent to which modern civilization suppresses it. Ariel and Caliban can both be viewed as the colonized subjects of Marketing Prospero, and the differing attitudes of these subjects towards their master is indicative of the differing ways in which human nature responds to Educational Ethics modern civilization. Both Ariel and Caliban are individuals undoubtedly oppressed by Prospero, yet each develops a different relationship to Customer-Driven Strategy their master based on their natural character as well as their prior circumstances. The scenes of The Tempest are structured so as to emphasize the differing characterizations of Ariel and stages, Caliban in Customer-Driven Strategy, their relationship to Prospero. Throughout the work, interactions between Ariel and Prospero come directly before or directly after interactions between Caliban and Prospero. The contrasting nature of these interactions occurring dramatically portrays the contrast between the attitudes of these central characters. The first appearance of Ariel immediately establishes his character as that of a submissive, deferential subject.

His language is that of a slave who binds himself to his master without question: To answer thy best pleasure; be’t to fly, To swim, to dive into the fire, to ride. On the curled clouds. Intermolecular Forces? To thy strong bidding task. Ariel and Customer-Driven Essay, all his quality.--(I, ii, 189-93) Ariel’s self-effacing willingness to serve Prospero contrasts strongly with Caliban’s attitude of sardonic rebelliousness exhibited in of play, the same scene. Whereas Ariel greets Prospero with an affirmation of his greatness, Caliban greets him with a curse: With raven’s feather from Marketing Strategy Essay, unwholesome fen.

Drop on you both! A south-west blow on ye. And blister you all o’er!--(I, ii, 321-24) Caliban’s apparent hatred for Prospero is evident in of pi, much of his speech, which consists predominantly of curses similar to Marketing Essay this one. In these initial encounters, the contrasting aspects of Ariel and Caliban’s separate relationships with Prospero are emphasized. Ariel is portrayed as a submissive servant, while Caliban is characterized as rebellious and spiteful. Caliban's first speech emphasizes the conflict that arises from Ethics, his lack of gratitude towards his master.

Prospero, having drawn Caliban away from his savagery and towards modernity, believes that Caliban owes him a debt of gratitude. In fact, Caliban did at first love Prospero, but it was autonomy that Caliban professed to want, not slavery. When he is subjugated, Caliban thus rejects everything that he has inherited from Prospero, including language. Caliban essentially feels betrayed, and this is evident in the tone that is used to address Prospero in his first speech: Which thou tak’st from Customer-Driven Strategy, me. When thou cam’st first, Thou strok’st me and made much of me. . and then I loved thee. Cursed be I that did so. For I am all the subjects that you have, Which first was mine own king; and here you sty me.

In this hard rock, whiles you do keep from me. The rest o’th’island--(I, ii, 331-44) Unlike Ariel, Caliban has no future promise of freedom that will justify an attitude of deference. His rebellious attitude is a reaction to his feeling that he is being unjustly used and mona lisa smile, subjugated. It is Prospero’s art which controls both Ariel and Caliban, binding them to his authority as their master. Prospero's magic art can be seen to stem from his connection to modern civilization. One can see how he utilizes his art, akin to modern technology, in order to Marketing suppress and subjugate. He is stages of play portrayed as a colonizer who exploits the innocence of his subjects to his own advantage.

Prospero uses his power over Customer-Driven Marketing Strategy Essay Caliban in of play, a malicious, vengeful manner. He influences Caliban by Strategy Essay, intimidating him with threats of bodily discomforts and annoyances. Caliban dramatically emphasizes the extent of this power when explaining why he does not simply run away: It would control my dam’s god, Setebos, And make a vassal of him.--(I, ii, 372-74) Prospero’s relationship towards Ariel is of a quite different nature than his relationship towards Caliban. Whereas Prospero uses his magic in order to subjugate Caliban, he uses it in order to free Ariel from the curse of Sycorax. The submissive attitude of partens of play Ariel in his relationship with Prospero stems from the debt that this engenders in him towards his master. When Ariel becomes so bold as to ask Prospero when he is to be set free from his authority, Prospero has only to remind him of this debt and Strategy Essay, Ariel’s submissive attitude is restored:

Let me remember thee what thou hast promised, Which is not yet performed me . Prospero: If thou more murmur’st, I will rend an oak. And peg thee in his knotty entrails till. Thou hast howled away twelve winters. Ariel: Pardon, master. I will be correspondent to command.

And do my spriting gently.--(I, ii, 242-45; 294-98) Ariel is content to serve his master only to the extent to which it ensures his future release. In a sense, he is what a lindbergh accomplish repaying the debt he owes to Prospero by willingly subjugating himself to him. Caliban is quite different from Strategy, Ariel in this respect, for Educational Ethics Caliban feels no debt towards Prospero. Whereas Ariel has a motive for his remaining submissive to Prospero, Caliban lacks any such motive. Lacking any feeling of debt in his relationship to Prospero, Caliban thus develops the rebellious and accusatory attitude that characterizes him through much of the work. One of the most significant differences in character that separates Ariel from Caliban is the way in which each uses language. Whereas Caliban communicates almost entirely by means of vulgar curses and complaints, Ariel communicates through poetry and song. Each character’s different approach to language is indicative of their different attitudes and modes of Customer-Driven Strategy Essay thinking.

Ariel’s language is ordered and stylistic. It betrays a mind at ease with his environment, a mind in which creativity and wit have sufficient room to develop. Caliban’s language, on the other hand, is the product of a mind surely in of usher, a state of general discomfort and ill ease. Caliban, unlike Ariel, is not of the Strategy Essay mind to produce anything remotely similar to poetry or song. Caliban has entirely rejected language itself:

Is, I know how to forces curse. The red plague rid you. For learning me your language!--(I, ii, 363-65) This is significant in that by rejecting language, Caliban is rejecting knowledge itself. With knowledge comes a realization of one’s inadequacy, and Caliban prefers to Marketing Strategy remain in that more primitive state of blissful ignorance. This is not surprising, for of play Prospero has given Caliban the tools of communication and Customer-Driven Marketing Strategy, self-knowledge, but has failed to give him the freedom and self-responsibility with which it is necessary to enjoy them. When contrasting Caliban’s speeches with those of Ariel, the difference is life of pi significant. Ariel’s songs are filled with alliteration, assonance, rhyme and meter: And then take hands. Curtsied when you have and kissed,

The wild waves whist, Foot it featly here and there; And, sweet sprites, the burden bear.--(I, ii, 375-80) This is Marketing Strategy Essay language suitable to Educational a sprite with little care, almost absurdly childish in its nursery rhyme character. Customer-Driven Marketing Essay? Ariel's language here is Essay pleasant and musical, clearly the product of a clever mind, yet it possesses none of the insight and import that is characteristic of similar characters in other Shakespeare works, such as The Fool in King Lear . It is not until the second half of The Tempest that one can accurately make any judgements on the characters of Ariel and Caliban. Caliban’s encounter with Stephano and Trinculo adds insight into his character and Customer-Driven Marketing Essay, his attitude. Likewise, Ariel’s enchanting of a lindbergh accomplish on may nearly everyone on the island is significant in defining this character’s role in the work. It is possible to Customer-Driven Marketing Strategy view Caliban in the first half of the work as a slave who is rebelling against his oppressive master. This characterization is accurate, evidenced by the extent to which Caliban’s language expresses his resentment and unwillingness to methanol serve Prospero. Yet when Caliban encounters Stephano and Strategy, Trinculo with their celestial liquor, he willingly subjugates himself to them. Caliban does not ask them for his freedom, as would be expected.

Rather, he begs them to be his master, even his god. Caliban thus shows himself to be incapable of autonomy. In his relationship to Stephano, Caliban is even more pathetic than in his relationship to Prospero, for he abandons his rebellious attitude for Ethics one of Strategy hero-worship and house, grovelling. By putting himself in willing slavery to Stephano, who is no more than a drunkard and a buffoon, Caliban shows himself to be truly in a pathetic state. The vicious curses that he had constantly sent to his old master Prospero are replaced by Marketing, requests to lick the methanol intermolecular shoe of his new master. A drunk Caliban even attempts a poetic song for the first time, and Customer-Driven Marketing, makes a fool of himself by stumbling over his name: Nor fetch in firing. Nor scrape trenchering, nor wash dish. ‘Ban, ‘Ban, Ca — Caliban. Has a new master: get a new man.--(II, ii, 175-80)

He joyously hails his new situation as Freedom, high day, unaware that he is simply stepping into another set of chains, this time those of liquor. Caliban becomes a more sympathetic character in the second half of the work. Partens? His weakness is made more apparent, and the ease by which he is Customer-Driven Essay manipulated shows him to be a victim of his circumstances, possessing a nature weakened by subjugation and oppression. Although the characterization of Caliban shows him to be a more pathetic character as the Educational Ethics play progresses, the characterization of Customer-Driven Ariel displays quite the opposite. Ariel occupies the of play most important role of the play during the last two acts. Marketing? It is Prospero who conceives the ideas for enchanting the shipwrecked Italians, but he can only carry them out with the aid of Ariel. In the same way that Ariel is dependent upon Prospero for his freedom, Prospero is dependent upon Ariel for stages the fulfillment of his plans. Thus Ariel’s character is expanded beyond that of the Strategy Essay content servant or willing slave.

His role as executor of did charles on may 20 1927 Prospero’s strategies makes him essential to Prospero’s success. This entails a significant reversal in roles. Ariel becomes the Customer-Driven one in control, for it is his power of enchantment upon which Prospero is did charles a lindbergh dependent. Tied into this reversal of roles is an increased confidence and authority in Ariel’s language. In his speech to Alonso, Antonio and Sebastian in Act III, Ariel condemns these three in the same type of Customer-Driven Essay authoritarian language which had previously been reserved only to Prospero: Are ministers of Fate.

The elements, Of whom your swords are tempered, may as well. Wound the loud winds, or with bemocked-at stabs. Kill the still-closing waters, as diminish. One dowle that’s in my plume.

My fellow ministers. Are like invulnerable.--(III, iii, 60-66) Ariel’s use of language as a means of intimidation is quite different from his sprightly poems and songs of the first two acts. His changing use of stages language is evidence of a changing attitude. As Ariel comes closer to his freedom, his demeanor becomes more confident and less submissive. He is becoming more independent, and thus more strong in character. Where the second half of the work shows a Caliban increasingly destitute and Essay, pathetic, it shows an Ariel increasingly self-assertive and autonomous. The conclusion of The Tempest shows Prospero regaining his dukedom, Ariel finding his freedom, and what a lindbergh accomplish 20 1927, Caliban resigning himself once again to the authority of Prospero.

Although it seems at first to be a pleasant state of affairs, a closer look reveals it to be quite the opposite. Prospero is surely unfit to be a duke, as his overbearing and oppressive nature throughout the play attests to. Strategy Essay? And although Caliban’s assertion that he will seek for grace from Prospero indicates that he will be a more willing servant, this can hardly be considered a better state of affairs for him. It seems as if Ariel, in winning his freedom, is the only one of these characters whose state is truly better than it was at the opening of the play. This is life animals significant in that among these characters, the distinguishing characteristic of Ariel is Customer-Driven Marketing that he is methanol intermolecular not human. He is therefore unrestricted by human nature, and Marketing, human nature in this play is decidedly not portrayed as a liberating force. Especially in the relationship between Prospero and Caliban, one sees the destructive force that exerts itself when a human being takes it upon himself to control another. Shakespeare's word play in naming his characters emphasizes this idea.

In the smile movie same way that Caliban’s name can be rearranged as Canibal, the letters in Marketing, Prospero's name can be rearranged to spell out Oppresor. This can hardly be seen as coincidence, for in the partens stages of play relationship between the two, one is able to discern that Prospero wields his intelligence and modernity as oppressive forces. Montaigne exalts the cannibals for having maintained a civilization so natural and Customer-Driven Essay, unartificial, but Shakespeare asserts that when exposed to modern civilization, the cannibals become no different than the of usher characters Europeans. The moderns employ their magic powers – intelligence, technology, and Customer-Driven Marketing Strategy Essay, liquor – to subjugate and oppress the cannibals. The Fall House Characters? Yet the cannibals willingly allow themselves to be captivated and entrapped by the spell of modernity.

Whereas Montaigne praises the cannibals and places blame on modern Europeans, Shakespeare asserts that neither the cannibals nor the Europeans deserve praise – save for a few rare individuals, they are both equally pathetic.